How does your background or personal story shape your work?

My background in fashion has influenced my approach—I’m naturally drawn to patterns and repetition. Fashion taught me to focus on composition and balance.

On a more personal level, I’m deeply nostalgic. If I could, I’d live in an untouched retro house, surrounded by the warmth and charm of that era. I try to bring that feeling into my art—not just to make things look pretty, but to create something that feels connected to the past, while still being fresh and joyful.

What were your intentions for this residency, and how did it unfold?

When I booked the residency, I wanted to give myself time and mental space to experiment and explore away from daily demands. I didn’t set specific goals—I didn’t want to feel pressured. I also wanted to rest, step away from the computer, and soothe my nervous system after a very busy year.

The experience lived up to everything I hoped for. I quickly settled into a slower rhythm and felt at home. The urge to draw was irresistible, and I often found it hard to stop. Surrounded by so much beauty, I felt the need to capture the light and colors, to immortalize the moments that moved me every single day.

Can you describe a typical day at The Parcelles?

I’d wake up early, put water on for coffee, and start a fire in the wood stove—even if it wasn’t that cold—while listening to the Bill Evans Trio. I’d sit at the table, look out at the ocean, sip my coffee, and watch the dogs playing on the beach. Soon, I’d be absorbed in my sketchbook until neck stiffness reminded me it was time for a walk along the shore.

In the afternoons, I’d explore—sometimes Peggy’s Cove—giving my body rest while feeding my eyes with new landscapes. Back at the cabin, I’d dive into creating again until nightfall. Evenings ended quietly with herbal tea and another fire.

How did the landscape and rhythm of Seaforth influence your work?

On the first day, the silence unsettled me. Coming from Montreal’s fast pace—emails, calls, constant noise—I almost didn’t know what to do. At first, I put on music to fill the quiet, but eventually, I embraced it. I found peace, and that shift shows in my work.

I rarely draw without purpose, but being here reminded me of the joy of drawing simply for the sake of it—exploring just because.

I rarely draw without purpose, but being here reminded me of the joy of drawing simply for the sake of it—exploring just because.

- Anne-Julie

Did you experiment with new techniques or mediums?

I combined oil pastels, colored pencils, and water-based markers. These are materials I’ve used separately before, but never together in such a focused way.

What challenged you most during the residency?

Remembering to eat proper meals! I often got so absorbed in my work that I forgot. Another challenge was embracing new techniques and accepting that I wouldn’t master them right away.

Has this residency shifted something in the way you see your own practice or future projects?

It reminded me of the importance of making time for creating without a specific purpose. It also gave me the desire to work more with traditional, hands-on mediums. Since then, I’ve painted more this year and even started exploring ceramics. I’ve reconnected with art not only as my profession, but also as a pastime.

What’s a small, personal memory from your time here that you’ll bring back home with you or moment here that you’ll never forget?

I really enjoyed the time I spent walking on the beach, picking up colourful crab shells along the way and taking the time to reflect on my day. I will never forget the sounds and the smells of the sea, the beauty of the light and everything around.